HD中字
主演:皮埃爾·埃泰 安妮·弗拉泰利尼 尼科爾·卡爾方 Alain Janey Ketty France Louis Maiss Jacqueline Rouillard
導演:皮埃爾·埃泰
狀態:HD中字
IMDB簡介 Pierre married Florence, the only daughter of a small industrialist. 15 years later, he is the boss, but his middle-class life worries him a lot. When a new young and lovely secretary comes, he starts dreaming. Written by Yepok Twenty-five year old Pierre is a man who likes to play the field, about which most of girlfriends are aware. Pierre falls into a relationship with Florence Girard, who he loves and marries more out of circumstance than anything. Their life is less than the exciting one he envisioned for himself, as he ends up working for Florence's father in the office of the family business, a tannery. Old habits surface as he embarks on a few extramarital dalliances, which he sees solely as distractions from the problems of marriage, one of those problems with Florence being her mother, who Florence resembles. Thus he sees his future as that of his staid in-laws. It isn't until he is in his late thirties that he truly does begin to contemplate ending the marriage, all because of his new eighteen year old secretary, Agnès, with who he believes he has fallen in love. The questions become whether he will do anything about it, if his feeling for Agnès truly is love, whether Agnès has similar feelings for him, and how Florence truly feels about marriage to him after ten years and visa versa. Written by Huggo
兩者有相似之處,都注重肢體喜劇和社會觀察,但埃泰的風格更輕盈、更具個人情感色彩。塔蒂的作品常聚焦于現代技術對人的壓迫,而《摯愛1969》則深入私密的情感領域,探討愛與時間的流逝。可以說,埃泰將塔蒂式的宏觀諷刺轉化為了微觀的家庭寓言。
有深遠影響。埃泰的視覺幽默和對日常荒誕的捕捉,啟發了包括韋斯·安德森在內的多位當代導演。他對色彩、對稱構圖和靜物畫的運用,成為后來“極客美學”電影的重要靈感來源。重溫《摯愛1969》,可以看到現代獨立喜劇諸多手法的雛形。
節奏偏慢,沒有臺詞也能講清故事,這種幽默感現在很少見了。
埃泰的肢體語言太神了,把中年男人的尷尬演得既好笑又心酸。
戛納提名沒拿獎可惜,但這絕對是被低估的喜劇經典,值得補票。
秘書出場那段超現實處理真妙,幻想與現實的界限模糊得好藝術。
劇情有點散,全靠夸張表演撐著,看久了會覺得有點累贅。
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