In India, Smita is an untouchable. She dreams of giving her young daughter an education and will go to any length to make that happen, including leaving behind all she knows in search of a better future. In Sicily, Giulia works in her father’s wig workshop, the last of its kind in Palermo. When her father is the victim of a serious accident, she discovers that her family’s livelihood is at stake. In Canada, Sarah is a twice-divorced mother of three children and a successful lawyer whose identity is wrapped up in her work. Just as she expects the promotion she’s been working her entire career for, she learns she has breast cancer. The Braid is a vibrant and singular reminder of what connects us all – across borders, across languages, across cultures.
多數影評人認為《辮子》在格局上更為宏大,從單一國家的歷史創傷擴展至全球視角,制作水準也更國際化。但在情感細膩度和本土共鳴上,《所有微笑的臉》更勝一籌。《辮子》更像是一部精致的國際合拍片,而前者具有更強的意大利本土根性,優劣視個人口味而定。
三個故事段落采用了截然不同的色彩基調:印度篇以塵土黃和暗調為主,強調壓抑與生存質感;西西里篇運用地中海式的明亮暖色,映射內心的掙扎與覺醒;加拿大篇則偏向冷峻的自然光,烘托孤獨感。這種視覺區分有效避免了敘事混淆,增強了地域沉浸感。
改編自暢銷小說,故事結構工整,適合喜歡溫情治愈系電影的觀眾。
三個國家三條線,平行剪輯稍顯生硬,但女性互助的主題很動人。
意大利那條線略顯單薄,整體像是一部精美的女性主義宣傳片。
法國部分的乳腺癌劇情有點俗套,好在演員演技撐住了場面。
印度段落最震撼,童婚和達利特女性的困境拍得很寫實,讓人窒息。
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