Edith Hardy uses charity funds for Wall Street investments in hopes of buying some new gowns. She loses all the money and borrows from wealthy oriental Tori. When her husband gives her the amount she borrowed, Tori won't take it back, branding her shoulder with a Japanese sign of his ownership. She shoots him. Her husband takes the blame. In court Edith reveals all to an angry ...
這女主真是腦子簡單到爆了,老公是寵妻狂魔吧。拍得還行吧,配樂很好聽。
果然我看的話關注點就是Asian image,有幾分威尼斯商人里的夏洛克的味道。雖然是early cinema但是演員的表演都好有張力,算是挽救了一下劇情吧
expressive lighting
救贖,燈光,配樂。算是我看過的最早的法庭戲,還有早期早川雪洲那傲嬌邪氣的表演。
Hayakawa真挺帥的,用真。亞裔演出而不用yellow face在默片也屬于比較難得的(當然這種角色一定是因為夠villain)女主在這種“yellow peril”文本里的擔當一如既往地需要prioritize性別身份和種族身份:父權/制度勝利要靠女性自我犧牲達成,但white superiority不分性別需要全體保護。
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